The last two weeks I’ve been plagued with doubts about The Queen’s Rebellion Series. The kind of doubts that can be crippling. Things like:
- Am I going about this character/scene/plot line the right way?
- Am I doing justice to the character/plot?
- Should I keep this? Should I delete this? Is this really necessary?
- Am I making the plot/theme of the story clear?
- Should I slow down and explain more? Or do I need to explain less and speed up?
- Is book #1 interesting enough for people to continue to read the rest of the series or will it fall flat?
- Would the people reading this be confused because I forgot to put something in?
- Did I start too soon in the story? And should I get rid of book #1?
Anyone seeing the start of a pattern here? Yeah, I’m having issues with book #1. I know that I finished writing it back in January and moved on to book #2, but I’ve got this niggling feeling that I’m doing it wrong.
Wow! Just had a flashback to the movie Mr. Mom. For those who would like to know what I’m talking, here’s a YouTube clip to explain.
Anyhoo, right now I’m filled with doubts about this book and really wished I had an alpha reader or several. I’ve been wanting to use that new (for me) term forever BTW 😀 . Because I would really like to discuss the particulars of the story over with someone who reads (sadly, hubby is not one of those people) and see if I’m missing something or if I’m doing packing to many subplots into the story.
But since I don’t have an alpha reader, or beta readers anymore, I’ll just have to push on and hope for the best.
Cross my fingers and pray! LOL
Want to know the difference between an Alpha Reader and a Beta Reader?
The Alpha Reader gets to read the unfinished draft, pieces of the draft, or may even act like sounding board for ideas. They should give you honest, immediate feedback on how the story plays, not line-specific notes. They’re the people who tell you what bores them, what confuses them, what’s cool, and what’s unbelievable.
The Beta Reader gets to read through the “almost ready” for publication draft and give you honest feedback on how the story plays –like what bores them, what confuses them, what’s cool, and what’s unbelievable– typos and grammar mistakes they find, and line-specific notes.